In the official trailer for TILL, Mamie Till Mobley seeks justice after the 1955 Mississippi lynching of her teenage son Emmitt Till.
The quest for justice lives on in upcoming Emmitt Till and Mamie Till Mobley biopic, TILL. On Monday (July 25), the official trailer for the Chinonye Chukwu-directed film was released, with 14-year-old Till embarking on a summer vacation from Chicago to Mississippi, where he’s accused of speaking inappropriately to a white woman. The real-life accuser Carolyn Bryant Donham is still alive in Raleigh, North Carolina, who claimed in a recently-discovered 99-page manuscript that she did not want Till to be lynched.
Witness the power of a mother’s love. Watch the official trailer for #TillMovie now, and see the never-before-told story of Mamie Till-Mobley’s quest for justice for her son, Emmett. In theaters this October. pic.twitter.com/h30n9BVPmV
— TILL (@TillMovie) July 25, 2022
Through United Artists Releasing and Orion Pictures, the film stars Danielle Deadwyler, Whoopi Goldberg, Jalyn Hall, Frankie Faison, Jayme Lawson, Tosin Cole, Kevin Carroll, Sean Patrick Thomas, John Douglas Thompson, Roger Guenveur Smith and Haley Bennett.
Along with the trailer, Chukwu wrote a director’s statement for TILL.
When I was approached to write and direct a story about Emmett Till, I found myself drawn to a singular figure at the center of his orbit. I saw an opportunity to subvert expectations and approach the narrative through another lens – from the maternal point of view of Mamie Till Mobley. Had it not been for Mamie, her son’s memory would have evaporated into thin air. She was the catalyst for a modern day civil rights movement that has laid a formidable framework for future activists and Freedom Fighters. I felt compelled to champion Mamie’s legacy and center her in the spotlight where she rightfully belongs.
Mamie’s untold story is one of resilience and courage in the face of adversity and unspeakable devastation. For me, the opportunity to focus the film on Mamie, a multi-faceted Black woman, and peel back the layers on this particular chapter in her life, was a tall order I accepted with deep respect and responsibility. On the daily, Mamie combatted racism, sexism, and misogyny, which was exponentially heightened in the wake of Emmett’s murder. Mamie did not cower. Instead, she evolved into a warrior for justice who helped me to understand and shape my own similar journey in activism. And as a filmmaker, showing Mamie in all her complex humanity was of utmost importance.
The crux of this story is not about the traumatic, physical violence inflicted upon Emmett – which is why I refused to depict such brutality in the film – but it is about Mamie’s remarkable journey in the aftermath. She is grounded by the love for her child, for at its core, TILL is a love story. Amidst the inherent pain and heartbreak, it was critical for me to ground their affection throughout the film. The cinematic language and tone of TILL was deeply rooted in the balance between loss in the absence of love; the inconsolable grief in the absence of joy; and the embrace of Black life alongside the heart wrenching loss of a child.
I hope viewers will empathize with the humanities on screen and see our present cultural and political realities within this film. And I hope that Mamie’s story helps us all to realize the power within ourselves to continue to fight for the change we want to see in the world, just as she did.
TILL releases to theaters on October 28, 2022.